Earlier this year cleaning up in the studio, I accidentally knocked a 3TB hard drive off my desk and it crashed to the floor ceasing to function. When I plugged it back in, it briefly made a grinding/buzzing noise then nothing… It does not show up on the desktop, nor does it show up in disk utilities, making disk recovery impossible. This hard drive contained every single image ever shot with both Canon 5D MkII digital cameras spanning a five year period. Fortunately, I also back up to DVD and jobs get backed up twice, once as delivered, usually full sized tiff’s and as unedited dng files. The problem here is that when I started to back up from the DVD’s to a new hard drive most of the DVD’s wouldn’t play. I installed a second optical drive into my MacPro. Now most of the DVD’s do play, but not all of them (insert expletive here)! Also, I had not backed up to DVD for several months. So, every image created between August and January is gone forever (except jobs), along with those random DVD’s that still will not play (insert very loud expletive here)! I ordered several new internal and external hard drives for the MacPro and one more portable hard drive for the MacBook Pro so, this way I can create multiple back ups while on the road as well and even more back ups once I return to the studio.
Storm chasing near Eureka, Nevada May 17th, 2015.
All this digital turmoil has made me rethink how I feel about and deal with digital photography. Don’t get me wrong, I like digital as much as I like analog photography. I think of the two as tools, not a preference, not unlike a painter would chose a different paint brush to create a different look. I pick up a different camera to create the effect I’m after. Many of my photographer friends would throw a major wobbler about now, shouting and screaming to defend how much better digital or analog is from the other. I think you’re all very funny! Over the last decade I have been shooting most of my personal color work with digital. All of my black & white has been on film. But lately, for my personal color work I have been returning to film and my Hasselblad. I don’t think it is as much about whether or not it’s digital or analog, but rather how much I really like designing within the square format over a rectangle.
Lower Columbia River, Washington
Ibex Dunes, California
Immigrant Road, Nevada
Columbia River Gorge, Oregon