Artists and Art Organizations

Sorry Nevada, it seems your time has come and gone. This makes us very sad, as we both fell in love with your amazing and inspirational landscape.

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Trish and I are full time artists, which means we need to make ends meet though our art. We did indeed make ends meet when we first arrived in Nevada thirteen years ago, but the last few years haven’t worked out so well. We have noted that many of our artist friends are also experiencing similar issues. I think it has a lot to do with the state of this nation, but that’s another story. Neither one of us have a trust fund and obviously we’re not married to someone wealthy who can pay for our art supplies and monthly bills.

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From our perspective, many of Nevada’s art organizations can barely support themselves and most do so on the backs of artists, the ones they should be supporting. We are always thrilled to hang a show, however these organizations put the financial responsibility on the artist for delivery of a gallery ready show. Do you have any idea what that costs? Not to mention how much we already have into our works (Education, time, materials, transportation, etc)? Think about it, it’s not cheap! Why do you always want something for free? Most of these galleries/organizations don’t actively work for the artist to make sales, it’s just entertainment for the public and putting their space in the limelight. Many of these galleries often have hours that are not conducive for folks to visit or are simply closed when they say they’re supposed to be open. We have had so many complaints from folks because they were unable to visit one of our exhibits. Exposure is always a good thing, but if they have weird hours, or a location that is difficult to find, what good is that? Artists need to make a living and sales are beneficial to both the artist and the hosting gallery. Years ago, most real galleries and arts organizations would compensate artists for hanging a show. This would help, as now days it’s always money out of our pockets, not theirs. We make these galleries/organizations look amazing, at our expense. The least they could do is work for us, too.

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Many Nevada non profits ask us to make art donations, and we have gladly fulfilled their requests many times. While we both received lots of thank you’s, donations have never lead to a sale. It seems to only bring in more requests for art donations. Making an art donation takes time and money to create, frame and deliver. While we like supporting the organizations, our accountant scolds us for doing so. There’s something truly wrong with this lop sided picture…

Apologies for the rant, but folks need to understand that art takes time and money to create.

Please feel free to make comments, we would love to hear from you!

e-mail

www.deonreynolds.com

www.trishreynolds.com

All images © 2018 Deon Reynolds

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13 Years in Eureka, Nevada

I grew up in Portland, Oregon, Trish grew up across the Columbia River in Vancouver, Washington. We met in a camera store in Portland, imagine that! This part of the Pacific Northwest is what we call the wet side of the Cascades. In other words, it’s usually grey and drizzly if not down right raining most of the time. The rain is something we ultimately dread despite our excitement of going back to the Northwest to visit friends and family.

051298a#3(7thStreet)“7th Street” (1998)

“7th Street” is located just outside of Eureka in Diamond Valley. I created this image in May of 1998 when Trish and I were exploring the state creating images for a “NEVADA” calendar long before we ever considered moving to Eureka.

WARNING: sunshine is habit forming!

030609#11(DiamondMountains)“Diamond Mountain Sky” (2011)

For nearly a decade we had been creating images for “NEVADA” calendars and eventually our “NEVADA” book, both published by Graphic Arts Center. This was before we made the move to Eureka in 2005. So, we were already very much accustomed to the sunshine, low humidity and the high elevation of the Great Basin Desert. It wasn’t long before we learned the shoulder seasons were the best for our outback adventures that were just outside our door living in Eureka.

001“General Store” (2009)

Moving from the damp and rainy climate of the Pacific Northwest to a completely new landscape in a completely new climate zone was nothing short of exciting! Eureka is a small community (pop. 500ish) and at 1,975 metres, it’s high in the mountains of North America’s Great Basin Desert. Eureka gets about 22 centimetres of precipitation a year that mostly falls as snow. Eureka, also enjoys 300 days of sunshine and due to the high elevation it usually doesn’t get too hot during the summer. We found the artistic possibilities to be endless in every direction. The flip side however, it’s a very long drive before you find a real grocery store.

009“Eureka Angel” (2005)

123109c#33(NEVADA)“Snow On It” (2009)

111417#14(TwoHeadStones)“Two Headstones” (2011)

123109d#11(EurekaAngel)“Sky Angel” (2009)

Eureka has several very photogenic historic cemeteries, a frequent stop during our daily walks.

111417#16“Main Street Cowboy” (2017)

023“Walt’s Western Art” (2017)

070416c#8“Alpine Hotel” (2016)

111109#7“No Trespassing” (2009)

013“Hardware Store” (2017)

Eureka is filled with historic buildings in various stages of decay, or if the property is lucky, restoration. Trish and I walk regularly and most of the time I would pick a camera that inspires me that day and take it along on the excursion.

040313c#1(EndOfTheRoad)“End of the Road” (2013)

010210b#9“Mobile Living” (2010)

007“Little Trailer” (2010)

Eureka’s mobile living is not quite as old or as historic as other buildings in town. However, mobile living is part of a miner’s life, whether they are hauling their tree limbs from camp to camp, or moving their 5th wheel to the next big thing. I find these homes to be very interesting photographic fodder.

052013c#5“No Outlet” (2013)

Living in Eureka was an interesting experience to say the least. We were consistently amazed at an ever changing landscape, providing ceaseless inspiration for our art work. Plus, the wildlife we encountered while in Eureka was nothing short of amazing (I’m not a wildlife photographer, so don’t expect that). Our photographic library in both analog and digital grew exponentially, a tribute to the fabulous space known as the Great Basin Desert. And yes, we have images available for license.

So, why leave, you might ask? Several factors forced our move. Economics and death threats lead the list. Nevada Tourism changed how they promote Hwy 50, “The Loneliest Road in America” and at the same time, the Eureka County Commission cut funding for tourism and economic development. This double whammy effectively stopped tourists from visiting Eureka ending our seven year run of the Eureka Gallery. Next up, quite a few locals made our lives miserable. The so called art collector that encouraged our move to Eureka in the first place, turned out to be a sociopathic narcissist (run don’t walk away from these people). Plus, the last couple of years we received numerous death threats from newly empowered, uneducated, racist gun nuts. The last year we lived in Eureka we mostly hid out of fear, going out at odd times for errands and exercise. Just flat out being gone was our best option. Clearly we didn’t fit in Eureka, time to move on…

Photographic note: All of the images on this post were created on film with either a Kodak disposable, Holga or Hasselblad camera.

All images © 2018 Deon Reynolds

 

 

 

 

 

Rogue Wheat Paste Installations

171118023“Old Woman” (Nov. 2017)

Trish and I started collaborating and experimenting on this series of five wheat paste installations in October of 2017. We were given an opportunity to go through and scan what ever we wanted from several boxes of old photographs that came from a house being demolished in Eureka, Nevada. This started to give us ideas for installing large scale wheat pastes of old photographs of people who lived in the community, bringing them back into old abandoned buildings they may have interacted with back in their day.

180727043“Old Woman” (Aug. 2018)

These five installations are all within the Eureka, Nevada surrounding area. “Old Woman” was the first in the series to be created. The excitement surrounding the creation of “Old Woman” fuelled us on to create even more! She is very well protected inside this old house, subsequently keeping her in pristine condition.

Amazing note: Without prior knowledge we found out that the woman in “Old Woman” actually lived in the house we placed her in!

Photographic Note: Colour differences in above photos: Top image shot with snow on the ground reflecting into building, lower image with the yellow of dried grass reflecting into the space.

 

171118026“Five Sisters” (Nov. 2017)

180727034“Five Sisters” (Aug. 2018)

The spot we picked for “Five Sisters” experienced some water damage from the non-exsitiant roof in this particular mine shack. Plus, someone pulled loose paper off, vandalizing the work. I still like how it’s aging, even though I didn’t like the fact someone tried to pull it off the wall.

180117041“Chair Baby” (Dec. 2017)

This installation takes us to another mine shack in a different location near Eureka. When I saw this room, I immediately knew the photograph I wanted to place here. We found this room this way. We do not style any of the rooms we have put our installations into, other than the wheat paste mural itself…

180117052“Chair Baby” (Dec. 2017)

180727111“Chair Baby” (Aug. 2018)

Someone smashed the chair since we last visited “Chair Baby”… Glad they didn’t vandalize the image! But, I sure loved that old chair sitting there.

180207009“Baby Watcher” (Dec. 2017)

This room intrigued me from the beginning with its slatted walls, ceiling and blank slate wall framed at one end, not to mention “Chair Baby” down the hall.

Watch a time-lapse video of Trish and I installing “Baby Watcher”. (click here)

180727038“Baby Watcher” (Aug. 2018)

180727104“Baby Watcher” (Aug. 2018)

I’m amazed at how well this installation has weathered since there is no roof to speak of on this structure.

180127026“Twins” (Dec. 2017)

An experiment on what to do with a nice corner?

180727123“Twins” (Aug. 2018)

We added more paper over the top of the door frame to the right to give this piece a more finished look. “Twins” sits in a space that offers more protection against the elements than most, making for a longer lasting wheat paste installation.

So, if you think we’re just camping out lolly gagging, you would be wrong… We’re busy coming up with the next new thing and creating all kinds of new artistic endeavours. Contact us about your upcoming projects, we’d love to collaborate! e-mail me

All images © 2018 Deon Reynolds

 

 

 

Wheat Paste Installations over Time

Trish and I have installed several large scale wheat paste murals over the past few years. I’m really impressed with their longevity and the over all quality achieved with an image created with a tiny 35mm black and white negative, printed on 20 lb. bond paper, then wheat pasted to a wall.

180507011“Roper”, our largest mural to date is 9′ high and 22′ across (April 2018). It’s located at the rear of 310 Stewart Street in Carson City, Nevada (not visible from Stewart Street). This image was created with a modified Kodak “Fun Saver Panoramic 35” disposable camera reloaded with Kodak Tri-X black & white film. The panoramic crop is created within the camera, so the negative is really quite small. Yet, I find the quality of this image to be nothing short of amazing, unless, of course you’re standing just a few feet away. At that point you’ll see the grain of the film and the wonderful flaws of a crappy plastic camera.

Watch a time-lapse of us installing “Roper” click here

161216052“Sorting” is another one of my disposable camera images, it’s 5′ x 13′. It is located in the alleyway behind the Western Folklife Center at 510 Railroad Street, Elko, Nevada. The image above was shot just after it was installed in November of 2016.

180728016Same mural in August 2018 almost two years on, it is looking a bit tattered, but it’s deteriorating in such a splendid way, I can’t help but love this wheat paste more as it ages.

With the exception of the top image “Roper”, these are true wheat paste installations, meaning we cook up flour and water with a little sugar at the end, let it cool and then roll it on the surfaces as well as over the top of the print as the only glue. For “Roper”, we used industrial grade wall paper adhesive, as Carson City was looking for a longer lasting “temporary art” installation. The Carson City mural site faces west and is blasted every afternoon by the hot Nevada sun. The Elko murals are in an alleyway protecting them from Nevada’s weather extremes.

161216032“Mustang Windmill” same camera, 5′ x 13′, was located in the alleyway behind the Carlin Trend Building in Elko, Nevada. It didn’t fare so well, as it got tagged shortly after it went up, but then, water from snow melt ran off the side of the building down the wall, mostly destroying the image all together. We removed it’s carcass after three short months.

160412_7427“Roping”, 5′ x 7′ by Trish Reynolds was created using a 1920’s Kodak Brownie camera loaded with Ilford FP-4 120 film. This was the first large scale public art installation Trish and I collaborated on (Nov. 2016).

180728010“Roping”, almost two years later, has taken on an entirely new look (August 2018).

170416079The alleyway behind the Western Folklife Center in Elko, Nevada (March 2017)

161216026“Antelope Shute” 7′ x 7′ and “Horses at Potts” 7′ x 17′ Elko, Nevada (Feb. 2017).

170221016“Horses at Potts” at 4th & Idaho in downtown Elko, Nevada. This site too, didn’t fare well, as the abandoned building doesn’t have gutters and the water (snow melt) from the roof pours off the side down the walls, making quick work of destroying the murals. Only a small amount of “Horses at Potts” is visible between political signs as of August 2018.

We love putting these murals up. It’s equally fun to install them, as it is to watch them gracefully disintegrate. Looking forward to the next installation!

All images © 2018 Deon Reynolds

 

 

 

The First 30 Days on the Road

2012SprinterTrish and I camp out a lot. Over the years we spend on average three months (accumulatively) out of the year camping in our Sprinter. We did the same in our Syncro Vanagon (4×4 VW Bus) that we drove for 24 years putting over 450,000 kilometres on it. But, before all this I was well trained by my parents, traveling extensively in their VW Bus Campmobiles and Land Rovers outfitted for photographic expeditions.

1969AlaskaOne of the many creative endeavours my father, Robert Reynolds, did was to create photographic coffee table books for Graphic Arts Center. He designed hundreds of books for this publisher and photographed seven books in their state book series. It was his first book, “ALASKA”, when the real adventures began. I was eleven years old when we packed up dad’s brand new 1969 Land Rover and took off for the great white north, camping for months on end in an amazing wilderness. Then, for his next book, “TEXAS”, he purchased a 1972 VW Bus Campmobile. This was the beginning of “#vanlife” for me. We traveled Texas in all seasons exploring every corner for his book. Many of these expeditions would keep us on the road for up to three months at a time. Well, at least for dad and myself. On many of these expeditions, my mother would start out quite enthusiastic, but it wouldn’t be too long before I would hear, “Bob, take me to an airport”. What this meant for the two of us was fewer motels, more remote camping and I got to ride up front!


On May 1st of 2018 Trish and I ended home ownership. Our goal, hit the road full time, explore new places, meet new people and eventually find a place to call home.

We departed Eureka, Nevada late in the afternoon on April 30th driving to Elko to sign escrow papers the next day. The Sprinter was totally overloaded with the final things out the door: cleaning supplies and boxes of jumbled thing we’ve used to the last minute and other excess stuff intended for our storage unit. This was in no way conducive for comfortable travel in the least bit. We had appointments in Elko and Reno making it impossible to make it to our storage unit for several days. In other words, a complete kerfuffle existed within our Sprinter!

SouthForkThis was our first morning out at South Fork State Recreation Area, near Elko, Nevada. Overloaded and overwhelmed with stuff…

Several days later, we finally made it to our storage unit to unloaded our extra stuff. It felt so good to have a bit of elbow room in the Sprinter again!

We had several events to attend and engagements on our calendar over the next month in and around Carson City and Reno, so we didn’t want to wander too far afield yet. We purchased an annual Nevada State Park Pass, embarking on a local journey checking out Nevada State Parks. We decided to start with the two parks we’ve never visited before. These journeys turned out to be incredibly helpful to us.

We treated this time as a shake down to hone our systems, refit and move items to places where you could actually get to them.  And taking too many clothes is really a problem so we had to make some hard choices about what stays and what goes. In our case, we thought adding a few items for long term travel would make life easier or more convenient along the way. They turned out to be nothing more than a hinderance and something else to move around. We found the lighter the load, the easier it is to have maximum enjoyment out of our travels. Stuff only complicates the adventure, distracting you from why you are out there in the first place. It is very true, less is more!

IMG_9590Washoe Lake

IMG_0111Lahontan

IMG_0416Walker Lake

IMG_0199Berlin/Ichthyosaurs

We’ve now visited every state park in Nevada with the exception of the two newest ones, and one isn’t open yet (mid July 2018). Many of the parks have some fantastic and very underused trail systems. At each park we visited we hiked every trail and in most cases they offered the best park experience with virtually no one else around. Look for further posts regarding Nevada State Parks…

At one point, we finally had a little more time to travel further out so we headed east across Nevada to visit more state parks.

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IMG_0874Cathedral Gorge

IMG_0961Beaver Dam

But, the weather suddenly turned hot, so we scrambled north to Great Basin National Park to go hiking among the Bristlecone Pines at over 3,300 metres.

IMG_1207Great Basin National Park

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IMG_1231And, lets not forget about Rusty the adventure cat. He takes to the road better than most people I know. He’s ready for that TARDIS door to open to find a new planet to explore. He has really calmed down since we’re done packing stuff up in Eureka and have moved in to the Sprinter.

All images © 2018 Deon Reynolds

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Carson City Mural Project

You may have thought that over the past couple of months we were franticly packing up and moving out of our bank building in Eureka, Nevada. You’d be partly right! Long before we had an offer on our building, we had set into motion the creation of “Roper”, our largest mural project to date. It’s part of the National Endowment for the Arts “Big Read” program in partnership with Arts Midwest. Carson City’s event, also sponsored by Visit Carson City and the Carson City Cultural Commission titled “True Grit” offers art and literary events for everyone from May 1st through July 22nd 2018. This mural is one of the many creative interventions to reimagine vacant and blighted commercial properties in Carson City.

180507011“Roper” is located at 310 Stewart Street, Carson City, Nevada. Look to the rear of this empty building. You’re looking at the mural from the Nugget’s #6 parking lot, just two blocks from the State Capitol.

062212#1(Roping)

I created this image with a modified Kodak “Fun Saver Panoramic 35” disposable camera, re-loaded with Kodak Tri-X black and white film. “Roper” was created at a ranch that Trish and I had frequented many times. We had made an assumption that it was an abandoned ranch since we had never seen anyone there and by how run down the place was. But, on this day, we arrived to find some cowboys and cowgirls sorting and branding calves. They invited us to stay and were welcome to make photographs of them working. What a memorable day that was. Thanks to all of them!

I process all my own film and make my own prints, including this giant 9’x22′ wheat paste mural. These wheat paste images are printed on 20 lb. plotter paper using an Epson 24″ printer, taking twelve hours to print and less than two hours to install. We had help from Mark Salinas, who is Carson City’s Arts & Culture Coordinator. Click the link for a 29 second time-lapse video of the installation.   “Roper” Time-Lapse 

180507058With one of my many Kodak “Fun Saver Panoramic 35” disposable cameras.

180507045I love how the concrete blocks show through the image in this detail.

IMG_9140One of the RV campers made this sign from a pizza box to make sure no one parked in the way of our installation…

IMG_9147The day prior to installation Trish and I showed up at the site to prep the wall. We brushed off the loose paint, rolled on TSP and sprayed it off with clean water.

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“COWBOYS” at Northwest Reno Library

062212#1(Roping)I have a show entitled “COWBOYS” hanging at the Northwest Reno Library. Open January 5th through February 24th. You are invited to the closing reception from Noon to 1:00pm Saturday February 24th. Hope to see you there!

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Northwest Reno Library is located at: 2325 Robb Drive, Reno, NV 89523

Monday-Tuesday: 10:00 am – 6:00 pm
Wednesday: 10:00 am – 7:00 pm
Thursday-Friday: 10:00 am – 6:00 pm
Saturday: 10:00 am – 5:00 pm
Sunday: CLOSED

101313#00(MustangWindmill)

I create these images with a plastic camera. It’s simplicity and spontaneity allows me to be more emotionally responsive to my ever changing environment. My camera of choice is a Kodak Fun Saver Panoramic 35 disposable camera. I recycle the cardboard cover, remove the color film and modify the interior. Using a darkroom tent, I reload the camera with Tri-X black & white film. I use filtration while shooting and adjust aspects of processing to maximize the film’s potential. Photographs are made on Hahnemuhle Fine Art Pearl paper with archival pigment inks.

062212j#25(WaitingToRope)

I made the images for this show at several Central Nevada ranches over many years.

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9th Annual RayKo Plastic Camera Show

I’m very pleased to announce two of my images from Burning Man have juried into the RayKo Photo Center’s 9th Annual International Juried Plastic Camera Show. Thanks Ann!

090215#12

“Temple”

090115#8

“Hat Trick”

I am frequently asked, “What is a plastic camera”? Simply put, it is a camera made of plastic or more specifically a lens made of plastic. In other words, low quality, crappy optics. For me using a plastic camera translates into freedom from the technological aspects of photography allowing me to concentrate on the graphics and design of an image.

These photographs were created using a Kodak “Fun Saver Panoramic” disposable camera that I reload with Kodak Tri-X black & white film. Like most artists I’m a control freak when it comes to my art. I process my own film and do all my own printing, both optical and digital. I make my own scans and print these images digitally on Hahnemühle Photo Rag paper using an Epson 7890 printer with K3 ink set for an archival quality print that will last for generations.

The Opening Artists Reception is Wednesday, March 9th from 6-8pm.

The exhibition runs from March 9th through April 29th, 2016

The Opening is free and open to the public. Many of the artists will be at the artists’ reception. Please support the arts by attending arts events and buying art. Hope to see you there!

RayKo Photo Center

428 Third Street

San Francisco, CA 94107
415-495-3773

 

Burning Man 2015

Burning Man 2015

Burning Man has never really appealed to me. Maybe because I become uneasy at the thought of large crowds, let alone a really large crowd in a place that Trish and I have been camping in for decades. Camping without a crowd, or without seeing … Continue reading

My Darkroom

Darkroom#1

This was my darkroom in our house back in Warren, Oregon. The room was an addition to the rear of our 1895 farm house on an acre of land just a half an hour from downtown Portland. The 12 x 24 x 9 foot room mirrored a 12 x 24 x 9 finishing room accessible via a 36 inch revolving darkroom door allowing access even when in use. The finishing room is where I had computers, printers and scanners along with flat files and framing equipment, to complete any kind of printing project. The darkroom had room to adapt to many kinds of darkroom needs. Above the 16 feet of stainless steel sink note the plastic perforated pipe, a plastic fan sucked the air off the sink removing the chemical odors very efficiently. Two wall mounted “Omega” D5 XL’s, one fitted with an “Arista” Cold Light Head, the other an Omega color head. A “Thomas” sodium vapor safe light makes working in the room as bright as day.

Darkroom#2

I miss this room very much! The need for a darkroom and larger studio/shop space has been a major factor for our need to move. We will miss our 1880 bank building complete with walk-In vault, but we need a lot more square feet to work in. We have had our building here in Eureka, Nevada “For Sale”for over three years now. I must admit I’m growing impatient… My current darkroom is a half bath off the studio, at least it has the space to develop film. I still have all of the darkroom equipment, but no room to set it up in. I am very much ready to start making silver prints again, not to mention Platinum/Palladium prints. Where will my new darkroom be? Where should our next move take us?