Looking for a Place to Make Art

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We departed Carson City, Nevada back in August heading east across Highway 50 with the goal of investigating new places to call home and make art.

180805009Along Highway 50 in Nevada “The Loneliest Road in America”

Prior to our departure we had Rack Attack install roof rails and cross bars on our Sprinter so we could carry our canoe. Three times I said to them, “the cross bars are not far enough apart”. They insisted it was fine, showing us manufacturer’s displays saying it was the correct way to hold a canoe. By the time we got across Nevada with a strong cross wind, our 17′ Old Town Canadienne had pushed its way across the roof damaging the roof vent.

180822019McCormick, Utah

We lashed the canoe to the roof as best we could, but by the time we got to Hanksville, Utah it was clear the rack situation was not working. So, instead of spending time in Utah hiking and making photographs as originally planned, we found Denver had the closest rack installer. It turns out we found another Rack Attack location and they were able to accommodate us and our schedule. We just threw money at it… Hey Rack Attack, will you pay for a new Fan-Tastic powered roof vent that was damaged because your staff insisted it was the correct way to install our rack? No, I didn’t think so…

180825104Comanche National Grassland in Southeastern Colorado, with a roof rack that holds the canoe firmly in place.

After dealing with the canoe rack we turned south out of Colorado into New Mexico to explore places we might want to live.

180826038Kiowa Mesa, New Mexico

Special thanks to our friend, Astro Beck, who sent us to the Salinas Pueblo Missions. These missions are nothing short of gorgeous and the best part is so few people visit them. I shot a lot of film! I brought plenty of 35mm film for my plastic panorama cameras, but it turns out not enough 120 film. So, now I need to figure out how to purchase more film while on the road. That’s not so easy since we’re on the move, traveling the more rural areas to photograph, avoiding larger cities.

180829086Quarai Salinas Pueblo Missions National Monument, New Mexico

180829096Punta de Agua, New Mexico

180904031Gran Quivira Salinas Pueblo Mission National Monument, New Mexico

One of our biggest concerns of living in the Southwestern United States is water. I need a wet darkroom. We found some communities had great water and others places everyone had to truck their water, and that won’t work for us… I will be implementing a new water recycling system to greatly reduce water consumption in the darkroom, but I still need a good water source. Any thoughts?

180905026180905013Carrizozo, New Mexico

New Mexico has several amazingly strong art communities in some very surprising places. We found many affordable areas filled with artists and like minded folks who welcomed us into their communities (how refreshing!). Our questions are: Do the artists in these communities make a living, or are they retired with a pension or spouses wealthy enough to pay for the art supplies and bills?

180909045Tucumcari, New Mexico

 

www.deonreynolds.com

www.trishreynolds.com

All images © 2018 Deon Reynolds

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Artists and Art Organizations

Sorry Nevada, it seems your time has come and gone. This makes us very sad, as we both fell in love with your amazing and inspirational landscape.

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Trish and I are full time artists, which means we need to make ends meet though our art. We did indeed make ends meet when we first arrived in Nevada thirteen years ago, but the last few years haven’t worked out so well. We have noted that many of our artist friends are also experiencing similar issues. I think it has a lot to do with the state of this nation, but that’s another story. Neither one of us have a trust fund and obviously we’re not married to someone wealthy who can pay for our art supplies and monthly bills.

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From our perspective, many of Nevada’s art organizations can barely support themselves and most do so on the backs of artists, the ones they should be supporting. We are always thrilled to hang a show, however these organizations put the financial responsibility on the artist for delivery of a gallery ready show. Do you have any idea what that costs? Not to mention how much we already have into our works (Education, time, materials, transportation, etc)? Think about it, it’s not cheap! Why do you always want something for free? Most of these galleries/organizations don’t actively work for the artist to make sales, it’s just entertainment for the public and putting their space in the limelight. Many of these galleries often have hours that are not conducive for folks to visit or are simply closed when they say they’re supposed to be open. We have had so many complaints from folks because they were unable to visit one of our exhibits. Exposure is always a good thing, but if they have weird hours, or a location that is difficult to find, what good is that? Artists need to make a living and sales are beneficial to both the artist and the hosting gallery. Years ago, most real galleries and arts organizations would compensate artists for hanging a show. This would help, as now days it’s always money out of our pockets, not theirs. We make these galleries/organizations look amazing, at our expense. The least they could do is work for us, too.

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Many Nevada non profits ask us to make art donations, and we have gladly fulfilled their requests many times. While we both received lots of thank you’s, donations have never lead to a sale. It seems to only bring in more requests for art donations. Making an art donation takes time and money to create, frame and deliver. While we like supporting the organizations, our accountant scolds us for doing so. There’s something truly wrong with this lop sided picture…

Apologies for the rant, but folks need to understand that art takes time and money to create.

Please feel free to make comments, we would love to hear from you!

e-mail

www.deonreynolds.com

www.trishreynolds.com

All images © 2018 Deon Reynolds

Where to Live and Work as an Artist?

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Trish and I have been without a house or studio for 142 days now. We have been traveling around in our Sprinter looking for the next place to call home. Living in our van has not been a bad thing, although we do have our moments… Mostly, we’re having brilliant fun traveling around exploring new places, meeting new people and creating lots of images. We have zero intentions of living in a van down by the river! We do in fact, plan on purchasing a home/studio in the near future. So, our plan is to take our time and carefully choose where we want to call home.

2012Sprinter

We have spent months scouring Nevada’s real estate, first searching the internet for listings, then traveling to those properties spending time to check out the communities first hand. We found, if the property was affordable, it was located in an area that was undesirable at too many levels to be considered. We also learned that most of the locations that would help us connect to the arts in Nevada are WAY out of our price range. Our travels have very sharply pointed out that Nevada is not an artist friendly place to live or work. First off, Nevada has little to no affordable housing/work space options for creative people. Plus, very few Nevadans truly support the arts at any level. We applaud and very much appreciate those that do. Thank you for your support over the years!

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After months of exhaustive house hunting in Nevada, we decided to briefly look back to the Pacific Northwest, as many of our friends were prodding us to do so. We are both done with the rainy damp weather that occurs west of the Cascade Mountains. So, the only option is to look east of the Cascades. After a month of touring the Northwest, we only came up with one somewhat viable location to consider. So, we have decided to expand our search, traveling beyond our range, looking further afield.

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If you have any ideas or comments regarding where two artists would fit in and make a living, please let us know, we’re all ears! Feel free to contact us. Thank you!

All images © 2018 Deon Reynolds

 

 

13 Years in Eureka, Nevada

I grew up in Portland, Oregon, Trish grew up across the Columbia River in Vancouver, Washington. We met in a camera store in Portland, imagine that! This part of the Pacific Northwest is what we call the wet side of the Cascades. In other words, it’s usually grey and drizzly if not down right raining most of the time. The rain is something we ultimately dread despite our excitement of going back to the Northwest to visit friends and family.

051298a#3(7thStreet)“7th Street” (1998)

“7th Street” is located just outside of Eureka in Diamond Valley. I created this image in May of 1998 when Trish and I were exploring the state creating images for a “NEVADA” calendar long before we ever considered moving to Eureka.

WARNING: sunshine is habit forming!

030609#11(DiamondMountains)“Diamond Mountain Sky” (2011)

For nearly a decade we had been creating images for “NEVADA” calendars and eventually our “NEVADA” book, both published by Graphic Arts Center. This was before we made the move to Eureka in 2005. So, we were already very much accustomed to the sunshine, low humidity and the high elevation of the Great Basin Desert. It wasn’t long before we learned the shoulder seasons were the best for our outback adventures that were just outside our door living in Eureka.

001“General Store” (2009)

Moving from the damp and rainy climate of the Pacific Northwest to a completely new landscape in a completely new climate zone was nothing short of exciting! Eureka is a small community (pop. 500ish) and at 1,975 metres, it’s high in the mountains of North America’s Great Basin Desert. Eureka gets about 22 centimetres of precipitation a year that mostly falls as snow. Eureka, also enjoys 300 days of sunshine and due to the high elevation it usually doesn’t get too hot during the summer. We found the artistic possibilities to be endless in every direction. The flip side however, it’s a very long drive before you find a real grocery store.

009“Eureka Angel” (2005)

123109c#33(NEVADA)“Snow On It” (2009)

111417#14(TwoHeadStones)“Two Headstones” (2011)

123109d#11(EurekaAngel)“Sky Angel” (2009)

Eureka has several very photogenic historic cemeteries, a frequent stop during our daily walks.

111417#16“Main Street Cowboy” (2017)

023“Walt’s Western Art” (2017)

070416c#8“Alpine Hotel” (2016)

111109#7“No Trespassing” (2009)

013“Hardware Store” (2017)

Eureka is filled with historic buildings in various stages of decay, or if the property is lucky, restoration. Trish and I walk regularly and most of the time I would pick a camera that inspires me that day and take it along on the excursion.

040313c#1(EndOfTheRoad)“End of the Road” (2013)

010210b#9“Mobile Living” (2010)

007“Little Trailer” (2010)

Eureka’s mobile living is not quite as old or as historic as other buildings in town. However, mobile living is part of a miner’s life, whether they are hauling their tree limbs from camp to camp, or moving their 5th wheel to the next big thing. I find these homes to be very interesting photographic fodder.

052013c#5“No Outlet” (2013)

Living in Eureka was an interesting experience to say the least. We were consistently amazed at an ever changing landscape, providing ceaseless inspiration for our art work. Plus, the wildlife we encountered while in Eureka was nothing short of amazing (I’m not a wildlife photographer, so don’t expect that). Our photographic library in both analog and digital grew exponentially, a tribute to the fabulous space known as the Great Basin Desert. And yes, we have images available for license.

So, why leave, you might ask? Several factors forced our move. Economics and death threats lead the list. Nevada Tourism changed how they promote Hwy 50, “The Loneliest Road in America” and at the same time, the Eureka County Commission cut funding for tourism and economic development. This double whammy effectively stopped tourists from visiting Eureka ending our seven year run of the Eureka Gallery. Next up, quite a few locals made our lives miserable. The so called art collector that encouraged our move to Eureka in the first place, turned out to be a sociopathic narcissist (run don’t walk away from these people). Plus, the last couple of years we received numerous death threats from newly empowered, uneducated, racist gun nuts. The last year we lived in Eureka we mostly hid out of fear, going out at odd times for errands and exercise. Just flat out being gone was our best option. Clearly we didn’t fit in Eureka, time to move on…

Photographic note: All of the images on this post were created on film with either a Kodak disposable, Holga or Hasselblad camera.

All images © 2018 Deon Reynolds

 

 

 

 

 

Rogue Wheat Paste Installations

171118023“Old Woman” (Nov. 2017)

Trish and I started collaborating and experimenting on this series of five wheat paste installations in October of 2017. We were given an opportunity to go through and scan what ever we wanted from several boxes of old photographs that came from a house being demolished in Eureka, Nevada. This started to give us ideas for installing large scale wheat pastes of old photographs of people who lived in the community, bringing them back into old abandoned buildings they may have interacted with back in their day.

180727043“Old Woman” (Aug. 2018)

These five installations are all within the Eureka, Nevada surrounding area. “Old Woman” was the first in the series to be created. The excitement surrounding the creation of “Old Woman” fuelled us on to create even more! She is very well protected inside this old house, subsequently keeping her in pristine condition.

Amazing note: Without prior knowledge we found out that the woman in “Old Woman” actually lived in the house we placed her in!

Photographic Note: Colour differences in above photos: Top image shot with snow on the ground reflecting into building, lower image with the yellow of dried grass reflecting into the space.

 

171118026“Five Sisters” (Nov. 2017)

180727034“Five Sisters” (Aug. 2018)

The spot we picked for “Five Sisters” experienced some water damage from the non-exsitiant roof in this particular mine shack. Plus, someone pulled loose paper off, vandalizing the work. I still like how it’s aging, even though I didn’t like the fact someone tried to pull it off the wall.

180117041“Chair Baby” (Dec. 2017)

This installation takes us to another mine shack in a different location near Eureka. When I saw this room, I immediately knew the photograph I wanted to place here. We found this room this way. We do not style any of the rooms we have put our installations into, other than the wheat paste mural itself…

180117052“Chair Baby” (Dec. 2017)

180727111“Chair Baby” (Aug. 2018)

Someone smashed the chair since we last visited “Chair Baby”… Glad they didn’t vandalize the image! But, I sure loved that old chair sitting there.

180207009“Baby Watcher” (Dec. 2017)

This room intrigued me from the beginning with its slatted walls, ceiling and blank slate wall framed at one end, not to mention “Chair Baby” down the hall.

Watch a time-lapse video of Trish and I installing “Baby Watcher”. (click here)

180727038“Baby Watcher” (Aug. 2018)

180727104“Baby Watcher” (Aug. 2018)

I’m amazed at how well this installation has weathered since there is no roof to speak of on this structure.

180127026“Twins” (Dec. 2017)

An experiment on what to do with a nice corner?

180727123“Twins” (Aug. 2018)

We added more paper over the top of the door frame to the right to give this piece a more finished look. “Twins” sits in a space that offers more protection against the elements than most, making for a longer lasting wheat paste installation.

So, if you think we’re just camping out lolly gagging, you would be wrong… We’re busy coming up with the next new thing and creating all kinds of new artistic endeavours. Contact us about your upcoming projects, we’d love to collaborate! e-mail me

All images © 2018 Deon Reynolds

 

 

 

Wheat Paste Installations over Time

Trish and I have installed several large scale wheat paste murals over the past few years. I’m really impressed with their longevity and the over all quality achieved with an image created with a tiny 35mm black and white negative, printed on 20 lb. bond paper, then wheat pasted to a wall.

180507011“Roper”, our largest mural to date is 9′ high and 22′ across (April 2018). It’s located at the rear of 310 Stewart Street in Carson City, Nevada (not visible from Stewart Street). This image was created with a modified Kodak “Fun Saver Panoramic 35” disposable camera reloaded with Kodak Tri-X black & white film. The panoramic crop is created within the camera, so the negative is really quite small. Yet, I find the quality of this image to be nothing short of amazing, unless, of course you’re standing just a few feet away. At that point you’ll see the grain of the film and the wonderful flaws of a crappy plastic camera.

Watch a time-lapse of us installing “Roper” click here

161216052“Sorting” is another one of my disposable camera images, it’s 5′ x 13′. It is located in the alleyway behind the Western Folklife Center at 510 Railroad Street, Elko, Nevada. The image above was shot just after it was installed in November of 2016.

180728016Same mural in August 2018 almost two years on, it is looking a bit tattered, but it’s deteriorating in such a splendid way, I can’t help but love this wheat paste more as it ages.

With the exception of the top image “Roper”, these are true wheat paste installations, meaning we cook up flour and water with a little sugar at the end, let it cool and then roll it on the surfaces as well as over the top of the print as the only glue. For “Roper”, we used industrial grade wall paper adhesive, as Carson City was looking for a longer lasting “temporary art” installation. The Carson City mural site faces west and is blasted every afternoon by the hot Nevada sun. The Elko murals are in an alleyway protecting them from Nevada’s weather extremes.

161216032“Mustang Windmill” same camera, 5′ x 13′, was located in the alleyway behind the Carlin Trend Building in Elko, Nevada. It didn’t fare so well, as it got tagged shortly after it went up, but then, water from snow melt ran off the side of the building down the wall, mostly destroying the image all together. We removed it’s carcass after three short months.

160412_7427“Roping”, 5′ x 7′ by Trish Reynolds was created using a 1920’s Kodak Brownie camera loaded with Ilford FP-4 120 film. This was the first large scale public art installation Trish and I collaborated on (Nov. 2016).

180728010“Roping”, almost two years later, has taken on an entirely new look (August 2018).

170416079The alleyway behind the Western Folklife Center in Elko, Nevada (March 2017)

161216026“Antelope Shute” 7′ x 7′ and “Horses at Potts” 7′ x 17′ Elko, Nevada (Feb. 2017).

170221016“Horses at Potts” at 4th & Idaho in downtown Elko, Nevada. This site too, didn’t fare well, as the abandoned building doesn’t have gutters and the water (snow melt) from the roof pours off the side down the walls, making quick work of destroying the murals. Only a small amount of “Horses at Potts” is visible between political signs as of August 2018.

We love putting these murals up. It’s equally fun to install them, as it is to watch them gracefully disintegrate. Looking forward to the next installation!

All images © 2018 Deon Reynolds

 

 

 

Wild Camping

We’ve been houseless for over a hundred days now. The first month or so, we spent the majority of our time relaxing and enjoying the great outdoors. Relaxing was something neither one of us had an opportunity to experience for quite some time and experiencing the great outdoors is something both of us enjoy very much. Not to mention, I think the two work out quite well together.

170720015Wild camping on the crest of central Nevada’s Toiyabe Range.

During the last one hundred days we have mostly wild camped. Wild camping gets us to the places we want to create photographic images of nature. Some of the best wild camping spots are also some of the more remote spots, inviting nature to take centre stage and visited by few.

Wild camping lets us spend the night where we want to be for early and late light. Getting up really early somewhere, then driving an hour or more to get to that spot is not my idea of fun. Spending the night in a remote location surrounded by nature does.

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180804204Toiyabe Crest, Nevada

Most of the wild camping we do is usually void of any kind of internet or cellular connection. It’s so nice to disconnect and pay attention to natures cycles.

180721236Monitor Valley, Nevada

We found that some county, state and national parks to be a better place to stop and use the facilities (shower/water/garbage) rather than a photographic point of interest. I’m not being derogatory towards the beauty of the parks, but moreover a reference as to how many images there are of the parks.

Below are just a few places we’ve been the last couple of months. I have been creating images on both film and digits, so it is going to be a while before we get to see what I’ve been creating on film. Unless there’s a darkroom out there, somewhere…

150608110Smith Creek Playa, Nevada

180721255Monitor Valley, Nevada

180714077Steens Mountain, Oregon

North America, Nevada, Churchill County, Stillwater National Wildlife Refuge.Stillwater Range, Nevada

120108003Diamond Playa, Nevada

170505002Lake Abert, Oregon

All images © 2018 Deon Reynolds

 

 

 

 

 

The First 30 Days on the Road

2012SprinterTrish and I camp out a lot. Over the years we spend on average three months (accumulatively) out of the year camping in our Sprinter. We did the same in our Syncro Vanagon (4×4 VW Bus) that we drove for 24 years putting over 450,000 kilometres on it. But, before all this I was well trained by my parents, traveling extensively in their VW Bus Campmobiles and Land Rovers outfitted for photographic expeditions.

1969AlaskaOne of the many creative endeavours my father, Robert Reynolds, did was to create photographic coffee table books for Graphic Arts Center. He designed hundreds of books for this publisher and photographed seven books in their state book series. It was his first book, “ALASKA”, when the real adventures began. I was eleven years old when we packed up dad’s brand new 1969 Land Rover and took off for the great white north, camping for months on end in an amazing wilderness. Then, for his next book, “TEXAS”, he purchased a 1972 VW Bus Campmobile. This was the beginning of “#vanlife” for me. We traveled Texas in all seasons exploring every corner for his book. Many of these expeditions would keep us on the road for up to three months at a time. Well, at least for dad and myself. On many of these expeditions, my mother would start out quite enthusiastic, but it wouldn’t be too long before I would hear, “Bob, take me to an airport”. What this meant for the two of us was fewer motels, more remote camping and I got to ride up front!


On May 1st of 2018 Trish and I ended home ownership. Our goal, hit the road full time, explore new places, meet new people and eventually find a place to call home.

We departed Eureka, Nevada late in the afternoon on April 30th driving to Elko to sign escrow papers the next day. The Sprinter was totally overloaded with the final things out the door: cleaning supplies and boxes of jumbled thing we’ve used to the last minute and other excess stuff intended for our storage unit. This was in no way conducive for comfortable travel in the least bit. We had appointments in Elko and Reno making it impossible to make it to our storage unit for several days. In other words, a complete kerfuffle existed within our Sprinter!

SouthForkThis was our first morning out at South Fork State Recreation Area, near Elko, Nevada. Overloaded and overwhelmed with stuff…

Several days later, we finally made it to our storage unit to unloaded our extra stuff. It felt so good to have a bit of elbow room in the Sprinter again!

We had several events to attend and engagements on our calendar over the next month in and around Carson City and Reno, so we didn’t want to wander too far afield yet. We purchased an annual Nevada State Park Pass, embarking on a local journey checking out Nevada State Parks. We decided to start with the two parks we’ve never visited before. These journeys turned out to be incredibly helpful to us.

We treated this time as a shake down to hone our systems, refit and move items to places where you could actually get to them.  And taking too many clothes is really a problem so we had to make some hard choices about what stays and what goes. In our case, we thought adding a few items for long term travel would make life easier or more convenient along the way. They turned out to be nothing more than a hinderance and something else to move around. We found the lighter the load, the easier it is to have maximum enjoyment out of our travels. Stuff only complicates the adventure, distracting you from why you are out there in the first place. It is very true, less is more!

IMG_9590Washoe Lake

IMG_0111Lahontan

IMG_0416Walker Lake

IMG_0199Berlin/Ichthyosaurs

We’ve now visited every state park in Nevada with the exception of the two newest ones, and one isn’t open yet (mid July 2018). Many of the parks have some fantastic and very underused trail systems. At each park we visited we hiked every trail and in most cases they offered the best park experience with virtually no one else around. Look for further posts regarding Nevada State Parks…

At one point, we finally had a little more time to travel further out so we headed east across Nevada to visit more state parks.

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IMG_0874Cathedral Gorge

IMG_0961Beaver Dam

But, the weather suddenly turned hot, so we scrambled north to Great Basin National Park to go hiking among the Bristlecone Pines at over 3,300 metres.

IMG_1207Great Basin National Park

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IMG_1231And, lets not forget about Rusty the adventure cat. He takes to the road better than most people I know. He’s ready for that TARDIS door to open to find a new planet to explore. He has really calmed down since we’re done packing stuff up in Eureka and have moved in to the Sprinter.

All images © 2018 Deon Reynolds

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Carson City Mural Project

You may have thought that over the past couple of months we were franticly packing up and moving out of our bank building in Eureka, Nevada. You’d be partly right! Long before we had an offer on our building, we had set into motion the creation of “Roper”, our largest mural project to date. It’s part of the National Endowment for the Arts “Big Read” program in partnership with Arts Midwest. Carson City’s event, also sponsored by Visit Carson City and the Carson City Cultural Commission titled “True Grit” offers art and literary events for everyone from May 1st through July 22nd 2018. This mural is one of the many creative interventions to reimagine vacant and blighted commercial properties in Carson City.

180507011“Roper” is located at 310 Stewart Street, Carson City, Nevada. Look to the rear of this empty building. You’re looking at the mural from the Nugget’s #6 parking lot, just two blocks from the State Capitol.

062212#1(Roping)

I created this image with a modified Kodak “Fun Saver Panoramic 35” disposable camera, re-loaded with Kodak Tri-X black and white film. “Roper” was created at a ranch that Trish and I had frequented many times. We had made an assumption that it was an abandoned ranch since we had never seen anyone there and by how run down the place was. But, on this day, we arrived to find some cowboys and cowgirls sorting and branding calves. They invited us to stay and were welcome to make photographs of them working. What a memorable day that was. Thanks to all of them!

I process all my own film and make my own prints, including this giant 9’x22′ wheat paste mural. These wheat paste images are printed on 20 lb. plotter paper using an Epson 24″ printer, taking twelve hours to print and less than two hours to install. We had help from Mark Salinas, who is Carson City’s Arts & Culture Coordinator. Click the link for a 29 second time-lapse video of the installation.   “Roper” Time-Lapse 

180507058With one of my many Kodak “Fun Saver Panoramic 35” disposable cameras.

180507045I love how the concrete blocks show through the image in this detail.

IMG_9140One of the RV campers made this sign from a pizza box to make sure no one parked in the way of our installation…

IMG_9147The day prior to installation Trish and I showed up at the site to prep the wall. We brushed off the loose paint, rolled on TSP and sprayed it off with clean water.

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We Sold the Bank!

That’s right! After more than five years on the market, we have finally sold our 1880 bank building (home and studio) in Eureka, Nevada. We have lived in Eureka since October 2005 and will be departing April 2018.

Eureka

The view of Eureka, Nevada on one of our morning walks.

Studio

Our Studio with walk in vault.

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Most of all we will miss the vault.

Livingroom

For over a year now we have been selling, redistributing, donating and recycling our stuff. We have less than half of the stuff we had when we moved to Eureka and that is still way too much stuff… Less is more!

sunroom

Everyone is asking us the same question: “Where are you moving to?”. Our answer is always the same, “We don’t know!”. This notion highly disturbs most folks. “What do you mean you don’t know? Certainly you’re going to rent a place to call home, right?”. No, we are not. We both have always felt that we don’t fit in the places we have lived. So, we plan on traveling around, exploring places, figuring out where it is that we want to be.

Richard Menzies wrote in his book “Passing Through: An Existential Journey Across America’s Outback”. “If you don’t fit in, move to Nevada. If you don’t fit in Nevada, move to Battle Mountain”.

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Follow us as we start a new journey in search of what’s next… We have several communities we plan on exploring at length. But, first we have some large scale public art to install and several Artist in Residencies to wrap up across Nevada before we set out across the West in search of a new home/studio…